NEVA | Joana Magalhães | 2024
RESGATE | Jonas & Lander | 2024
A NIGHT IN THE BELLY OF THE BEAST | Ensemble Sociedade de Actores | 2024
YOUNG COMPOSERS | Estúdios Víctor Cordon | 2024
GUST9723 | Francisco Camacho | 2023
DISTANTE – Paisagens, Máquinas e Animais | Né Barros | 2023
A PERTURBAÇÃO DO CIDADÃO EXEMPLAR | Joana Magalhães / Comédias do Minho | 2022
NEVE – Paisagens, Máquinas e Animais | Né Barros | 2022
PONTAS SOLTAS | Jonas&Lander | 2022
CONCERTO Nº 1 PARA LAURA | Sílvia Real | 2022
A HISTÓRIA DO SOLDADO | Né Barros and Ensemble Sociedade de Actores | 2021
NEVE - filme | Filipe Martins and Né Barros | 2020
IO – Paisagens, Máquinas e Animais | Né Barros | 2019
A LAURA QUER! | Sílvia Real and Grupo 23: silêncio! | 2019
HISTÓRIAS QUE DÃO PARA VER | Teatro do Montemuro and António Cabrita and São Castro | 2019
NO FIM ERA O FRIO | Inês Jacques and Mão Morta | 2019
GUELRA | Sílvia Real | 2019
SÍNDROME | Olga Roriz | 2018
EU SOU PASSAGEIRO | Olatz de Andrés / Kale Companhia de Dança | 2018
MOMENTOS OF YOUNG PEOPLE | Raimund Hoghe | 2018
BARRO | Mafalda Deville / Companhia Instável | 2017
HARMIDA | Elisabeth Lambeck / Kale Companhia de Dança | 2017
GALA | Jérôme Bel | 2016
A FLOWERING TREE | John Adams, Nicola Raab, Renato Zanella | 2016
PROPRIEDADE PRIVADA | Olga Roriz | 2015
O PESO DE UMA SEMENTE | Marina Nabais | 2013
SENSORIANAS | Clara Andermatt | 2025
© Mário Negrão
Fui convidada a abordar o Irão e a sua cultura pelos Estúdios Victor Córdon
através da criação de uma peça a apresentar no âmbito do programa Outros
Mundos.
Encarei o convite como um desafio de aproximação à cultura persa permitindo- me explorar e celebrar a sua riqueza.
Desejo que a peça alie encanto e contemplação a partir de uma experiência artística ancorada nos contributos da diáspora iraniana radicada no nosso país. Procuro desbravar o caminho temático da peça compilando visões individuais portadoras de referências, sugestões e pistas de estudo.
Tenciono explorar diferentes estilos de dança tradicional do Irão, reinterpretados por mim e pelos colaboradores desta criação à luz da dança contemporânea. O foco recai sobre o universo feminino, tendo a poesia e a música iranianas, entre outras, como elementos integradores e inspiradores. Não procuro abarcar a imensidão da cultura persa nem tenho a pretensão de a representar, tarefa impossível e indesejável para quem se aproxima pela primeira vez de uma realidade vasta e complexa. Proponho uma visão subjetiva animada da vontade de promover encontros e de construir pontes culturais. Um olhar curioso e interessado para uma realidade profundamente diferente da nossa. Um espaço de diálogo e reflexão sobre aspetos da vida quotidiana, da liberdade e da diversidade cultural que devemos defender e celebrar no contexto global atual.
Encarei o convite como um desafio de aproximação à cultura persa permitindo- me explorar e celebrar a sua riqueza.
Desejo que a peça alie encanto e contemplação a partir de uma experiência artística ancorada nos contributos da diáspora iraniana radicada no nosso país. Procuro desbravar o caminho temático da peça compilando visões individuais portadoras de referências, sugestões e pistas de estudo.
Tenciono explorar diferentes estilos de dança tradicional do Irão, reinterpretados por mim e pelos colaboradores desta criação à luz da dança contemporânea. O foco recai sobre o universo feminino, tendo a poesia e a música iranianas, entre outras, como elementos integradores e inspiradores. Não procuro abarcar a imensidão da cultura persa nem tenho a pretensão de a representar, tarefa impossível e indesejável para quem se aproxima pela primeira vez de uma realidade vasta e complexa. Proponho uma visão subjetiva animada da vontade de promover encontros e de construir pontes culturais. Um olhar curioso e interessado para uma realidade profundamente diferente da nossa. Um espaço de diálogo e reflexão sobre aspetos da vida quotidiana, da liberdade e da diversidade cultural que devemos defender e celebrar no contexto global atual.
Clara Andermatt
Artistic Direction | Clara Andermatt
Interpretation | Beatriz Valentim, Helia Bandeh, Leonor Alecrim, Maria Fonseca, Rita Carpinteiro
Musical Direction | João Lucas, Clara Andermatt
Artistic Assintance and Investigation | Margarida Bak Gordon
Light Design | Wilma Moutinho
Costumes | to define
Scenography | Eric Costa
Props | Golshan Chahian
Sound Design and Operation | Ricardo Figueiredo
Light Operation | Carlos Vieira
Executive Production | ACCCA - Miguel Pereira and Ruana Carolina
Comunication Partnership | Antena 2, Coffeepaste
Artistic Residency | OPART / Estúdios Victor Córdon
Co-production | OPART / Estúdios Victor Córdon, A Oficina (Centro Cultural Vila Flor/Guimarães)
Interpretation | Beatriz Valentim, Helia Bandeh, Leonor Alecrim, Maria Fonseca, Rita Carpinteiro
Musical Direction | João Lucas, Clara Andermatt
Artistic Assintance and Investigation | Margarida Bak Gordon
Light Design | Wilma Moutinho
Costumes | to define
Scenography | Eric Costa
Props | Golshan Chahian
Sound Design and Operation | Ricardo Figueiredo
Light Operation | Carlos Vieira
Executive Production | ACCCA - Miguel Pereira and Ruana Carolina
Comunication Partnership | Antena 2, Coffeepaste
Artistic Residency | OPART / Estúdios Victor Córdon
Co-production | OPART / Estúdios Victor Córdon, A Oficina (Centro Cultural Vila Flor/Guimarães)
NEVA | Joana Magalhães | 2024
© João Octávio Peixoto/TMP
Neva [It Snows] is a performance for small children that stands between
installation and theatre, an open work designed as a sensory and narrative
experience that is created in interaction with the audience. Almost wordless and
lacking an explicit narrative, the performance is backed by a shared
synaesthetic experience. Drawing on the material and performing nature of both
snow and haze, one creates an immersive performance, introducing the young
audience to the stage by means of a scenic device set up for that purpose. —
Joana Magalhães
Created by | Joana Magalhães
Performed by | Beatriz Valentim, Joana Magalhães
Music | Raymund Scott
Light design | Cárin Geada
Set design execution | Cristóvão Neto
Video registration | Vasco Mendes
Produced by | Plataforma UMA
Residency support | CAMPUS Paulo Cunha e Silva, Cassandra, CRL- Central Elétrica
Support | Fundação GDA, República Portuguesa – Cultura / Direção-Geral das Artes, Teatro Municipal do Porto
Acknowledgments | Ana Isabel Castro, Catarina Barros, João Barreto
Performed by | Beatriz Valentim, Joana Magalhães
Music | Raymund Scott
Light design | Cárin Geada
Set design execution | Cristóvão Neto
Video registration | Vasco Mendes
Produced by | Plataforma UMA
Residency support | CAMPUS Paulo Cunha e Silva, Cassandra, CRL- Central Elétrica
Support | Fundação GDA, República Portuguesa – Cultura / Direção-Geral das Artes, Teatro Municipal do Porto
Acknowledgments | Ana Isabel Castro, Catarina Barros, João Barreto
A NIGHT IN THE BELLY OF THE BEAST | Ensemble Sociedade de Actores | 2024
© João Fitas
A Night in the Belly of the Beast is a rock tragedy on the volatile nature of power
relations, based on original music by Ricardo Pinto and the imagery, lyrics and
dramaturgy of André Lourenço. Staged by Jorge Pinto and choreographed by
Deeogo Oliveira, this multidisciplinary performance brings together on stage
musicians, actors and dancers. — Ensemble – Sociedade de Actores
Staging and set design | Jorge Pinto
Music and musical direction | Ricardo Pinto
Lyrics and concept | André Lourenço
Choreography | Deeogo Oliveira
Sound design and operation | Rui Barreiros
Lighting design and operation | Tiago Silva
Costumes | Cátia Barros
Staging assistance | Filipa Dias
Performed by | André Lourenço, Ricardo Pinto, Marcelo Rúben Aires, André Sobral, Kevin Mota (musicians), Maria Cruz, Ana de Oliveira e Silva, Beatriz Baptista, Beatriz Valentim (dancers), Débora Fortes, Sofia Vide (intern dancers), Francisco Lima, Carlos Daniel, Jorge Pinto (actors)
Thanks to | Rui Aires / Artária, Adélio Tedim
Coproduction | Ensemble – Sociedade de Actores, Teatro Municipal do Porto
Music and musical direction | Ricardo Pinto
Lyrics and concept | André Lourenço
Choreography | Deeogo Oliveira
Sound design and operation | Rui Barreiros
Lighting design and operation | Tiago Silva
Costumes | Cátia Barros
Staging assistance | Filipa Dias
Performed by | André Lourenço, Ricardo Pinto, Marcelo Rúben Aires, André Sobral, Kevin Mota (musicians), Maria Cruz, Ana de Oliveira e Silva, Beatriz Baptista, Beatriz Valentim (dancers), Débora Fortes, Sofia Vide (intern dancers), Francisco Lima, Carlos Daniel, Jorge Pinto (actors)
Thanks to | Rui Aires / Artária, Adélio Tedim
Coproduction | Ensemble – Sociedade de Actores, Teatro Municipal do Porto
RESGATE | Jonas & Lander | 2024
© Carolina Lecoq
During the creative process of BATE FADO, the desire to start a company of
batedores begins to be consolidated among the choreographers so that the
proposal to form a Fado Batido dance continues to expand. After BATE FADO,
the second step of this plan that proposes the return of dance to Fado is entitled
RESGATE.
RESGATE is a project that is divided into two moments, starting in a training phase, which later transitions to a creation phase. The training period took place at Pro.dança and lasted four weeks between May and June 2024. This plan for training the choreographic vocabulary of Fado Batido aimed to form a group of dancers who began the creation of a dance company. This course was facilitated by Jonas&Lander and professionals associated with the Fandango, Flamenco and Kuduro dances. The aim is to create an ecosystem of choreographic influences similar to the dances that forged Fado Batido in its origins.
RESGATE is a project that is divided into two moments, starting in a training phase, which later transitions to a creation phase. The training period took place at Pro.dança and lasted four weeks between May and June 2024. This plan for training the choreographic vocabulary of Fado Batido aimed to form a group of dancers who began the creation of a dance company. This course was facilitated by Jonas&Lander and professionals associated with the Fandango, Flamenco and Kuduro dances. The aim is to create an ecosystem of choreographic influences similar to the dances that forged Fado Batido in its origins.
Artistic Direction | Lander Patrick
Choreography | Colaboration between Catarina Campos, Fábio Krayze, Lander
Patrick, João Larat, Melissa Sousa and Jonas
Interpretation | Beatriz Valentim, Fernando Queiroz e Maria Abrantes
Choreography | Colaboration between Catarina Campos, Fábio Krayze, Lander
Patrick, João Larat, Melissa Sousa and Jonas
Interpretation | Beatriz Valentim, Fernando Queiroz e Maria Abrantes
YOUNG COMPOSERES | Estúdios Víctor Cordon | 2024
© Guilherme Gouveia | EVC 2024
In its seventh edition, the Young Composers Program continues to promote a collaborative spirit and foster interactions between artists in creative processes, this time focusing on Music Composition, Writing and Choreography.
Throughout its existence, several composers, choreographers, writers, visual artists, directors, stage directors, instrumentalists, singers, dancers and actors/actresses have participated in the program. From here, many other collaborations have emerged between these artists, who, outside the context of the program, have started joint projects and consolidated their own professional careers.
Since the first edition of Young Composers, the program has developed a number of partnerships and collaborations with higher education institutions and groups of professionals at the start of their careers, including Escola Superior de Música de Lisboa, Escola Superior de Dança, Escola Superior de Artes e Design das Caldas da Rainha, Escola Superior de Música e Artes do Espetáculo do Porto, the Concrète [Lab] Ensemble and Ar.Co - Centro de Arte e Comunicação Visual.
Throughout its existence, several composers, choreographers, writers, visual artists, directors, stage directors, instrumentalists, singers, dancers and actors/actresses have participated in the program. From here, many other collaborations have emerged between these artists, who, outside the context of the program, have started joint projects and consolidated their own professional careers.
Since the first edition of Young Composers, the program has developed a number of partnerships and collaborations with higher education institutions and groups of professionals at the start of their careers, including Escola Superior de Música de Lisboa, Escola Superior de Dança, Escola Superior de Artes e Design das Caldas da Rainha, Escola Superior de Música e Artes do Espetáculo do Porto, the Concrète [Lab] Ensemble and Ar.Co - Centro de Arte e Comunicação Visual.
Composers | Débora Coquim, Rúben Dias, Tiago Simas
Choreographers | Beatriz Valentim, Deeogo Oliveira, Joana Franco
Choreographers | Beatriz Valentim, Deeogo Oliveira, Joana Franco